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adjectives in the yellow wallpaper

©2020 eNotes.com, Inc. All Rights Reserved. "frieze..."  A vocabulary list featuring "The Yellow Wallpaper" by Charlotte Perkins Gilman. "he hates to have me write a word..."  Learn more. This reference page can help answer the question what are some adjectives commonly used for describing WALLPAPER. She takes up writing whenever she needs relief and often writes in the second person, as though she were speaking to a friend. "lurid..."  Her husband fails to provide her with accurate treatment and stifles her only creative outlet. Due to the narrative structure of the short story, readers cannot fully see the narrator’s behavior from an outside vantage point. Contrasting with that society, Charlotte Perkins Gilman’s “The Yellow Wallpaper” showcases the narrator’s captivity within a room and the mechanics of her mind growing more and more chaotic as her isolation from the outside world (mostly her husband) leads to her insanity. This approach made the most sense because the author was writing about how the character feels almost like it was the main character`s diary. | At one moment, the wallpaper looks pale and yellow; in the next, it looks as though it is “smouldering”—burning with smoke—and tinted in an orange glow. This circumstance lends her writing a tone of abruptness and curtness. The adjective “lurid” has a variety of definitions, all of which add to the overall gruesomeness of the yellow wallpaper. Charlotte's great use of detailed words proves that she is a professional when it comes to American gothic writing. ..."  ...", "So I take phosphates or phosphites—whichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to "work" until I am well again....". There's no physical reason for the narrator not to be allowed to write, but under her rest cure, it is prohibited to her. The Yellow Wallpaper By Charlotte Perkins Gilman 1996 Words | 8 Pages. "chintz hangings..."  Using this term in relation to the debased Romanesque art suggests that the wallpaper pattern is particularly chaotic and confused. "Out of one window I can see the garden, those mysterious deepshaded arbors, the riotous old-fashioned flowers, and bushes and gnarly trees...."  Question 34 options: A) daunting creatures B) waddling fungus C) strangled heads D) bulbous eyes In "The Yellow Wallpaper," daunting creatures were not used to describe the wallpaper. See in text (The Yellow Wallpaper). The imagery of the phrase illustrates the sheer and utter terror the wallpaper induces in the narrator. Join for Free "he does not believe I am sick..."  The adjective “lurid” has a variety of definitions, all of which add to the overall gruesomeness of the yellow wallpaper. The Unnamed Narrator: Charlotte Perkins Gilman presents subtle clues to help readers determine the identity of the unnamed narrator. In 1899 Charlotte Perkins Gilman wrote “The Yellow Wallpaper,” the short story is about a woman with an illness that is slowly taking away her sanity. After the narrator’s second failed attempt to stand up for herself, John shoots her such a powerful look of disapproval that she immediately quiets down. See in text (The Yellow Wallpaper). ..."  Some of the most helpful tools to use in literature are literary devices. true or false. The narrator desires color and animation—revealed through her wish to stay in the downstairs bedroom with the roses and chintz. In the late 19th and early 20th century doctors didn't recognize postpartum depression as an illness and didn't take a woman's mental health very seriously, which resulted in many cases of misdiagnosis. Top subjects are Literature, Social Sciences, and History. The word “riotous” refers to something that is abundant and exuberant. Already a member? Each word below can often be found in front of the noun wallpaper in the same sentence. She likely suffers from postpartum depression and exhibits symptoms such as mood swings and exhaustion. Literary devices enhance the meaning of literature by establishing the theme, mood, and plot. She employs the literary tool of polysyndeton—the repeated use of conjunctions without commas—to highlight her husband’s ineptitude. "for he sat up straight and looked at me with such a stern, reproachful look that I could not say another word...."  Modern readers will likely recognize this as a sign of infidelity. The short story brings up issues over the compatibility of imagination and realism. At the time of Gilman’s writing, the word “smooch” referred to a stain or smudge. Notice how every element of the nursery room is intended to keep the narrator confined. Women were known as the second class citizens during the late 19th century when they had no equal rights as men. The narrator tries to stand up for herself, but John patronizingly quiets her again, saying “Bless her little heart!”, "And dear John gathered me up in his arms, and just carried me upstairs and laid me on the bed, and sat by me and read to me till it tired my head...."  Updated 16 days ago|10/19/2020 12:57:43 AM. This pattern recurs frequently throughout the story—whenever the narrator raises an opinion, John silences her. Along with the diagonal breadths, the horizontal breadths add to the mayhem of the wallpaper. "But I MUST say what I feel and think in some way—it is such a relief!..." See in text (The Yellow Wallpaper). See in text (The Yellow Wallpaper). The noun “impertinence” refers to the state of being rude, ill-mannered, or unrestrained by the bounds of good taste. More often than not, literature, which requires a mastery of literary technique. The word “chintz” refers to the calicoes, or the printed cotton fabric, of India. See in text (The Yellow Wallpaper). However, at her husband’s urging, the couple sleeps in the nursery upstairs, which is contrastingly characterized by its dark, Gothic elements. What Others Say about The Yellow Wallpaper 1574 Words | 7 Pages. In the first several paragraphs alone, the narrator asks herself, “And what can one do?”, “What is one to do?”, and “But what is one to do?” Using variations of the same refrain, Gilman hints at the narrator’s sense of confinement and her inability to think for herself. "He said that after the wall-paper was changed it would be the heavy bedstead, and then the barred windows, and then that gate at the head of the stairs, and so on.

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