No matter what they’re up against. When I finished, I had what amounted to almost 400 hundred pages of dialogue. There’s a film called, “Penalty,” with Lon Chaney from 1920. Chris quickly took Jonathan under his wing, and soon the duo were hashing out details of various edgy film ideas. Your email address will not be published. MM: What’s your favorite genre of film? Sunset at a Louisiana swamp. How did you feel when you heard the casting choices of Willem Dafoe and Matt Dillon as the lead actors? That was difficult, because my dad is Jewish so I have a Jewish last name. To the general audience, that’s what makes Jesse human. Bottom line, if I don’t write, I get weird. You find yourself understanding him. In everything, do to others what you would have them do to you. MM: What is your advice for writers trying to break into the industry? JH: I write fast. Then use it. Detective Bud Carter’s investigations lead to the arrest of Jesse Weiland, a contract killer from a criminal syndicate. And so he was able to bring in Boondock co-star Willem Dafoe to star in this cat and mouse story of a cop tracking down a killer. FBI, blood and revenge follows. Chris Brinker makes his directorial debut with Bad Country, but he’s got producer credits going back to The Boondock Saints.  Brinker was to be presented with the Robert Smalls Indie Vision Award at the 7th annual Beaufort, South Carolina International Film Festival in February 2013. JH: I think there were probably only two or three decisions in their early lives that made them different from one another. To be with his wife and newborn, he becomes an informant and assists in taking down the crime ring boss etc. These are the real-life mobsters and events that inspired the books and movies. I moved there in ’99 and was sort of roaming around aimless, and didn’t know what I wanted to do. I didn’t sleep for nine years. When Baton Rouge police detective Bud Carter arrests contract killer Jesse Weiland, he convinces Jesse to help the police to destroy the South's most powerful crime ring. While he was also very protective of the character and the story, he made choices that I just never thought of. He could hit you in any prison and any state. What do you see in your future as a writer? JH: That’s a tough question. He gave me the spirit. The film started shooting in Baton Rouge and Angola, Louisiana on August 7, 2012.. Bad Country (also known as Whiskey Bay) is a 2014 American action film based on a true story starring Matt Dillon, Willem Dafoe, Amy Smart, and Tom Berenger. Suddenly, as the reader or audience, you find yourself relating to someone you’ve always feared and despised. JH: At one point, Chris considered filming in Canada. JH: In early 1983, there were a string of burglaries happening throughout Louisiana. And keep writing. MM: What research was involved in the writing process? What prompted you to take a career in screenwriting? Get detailed information about Jesse Weiland, including previous known addresses, phone numbers, jobs, schools, or run a comprehensive background check anonymously. So I’m not sure that I have a favorite part. That being said, if you want to be a writer, then write. We shot the film in 21 days. The bugs, the swamps, the streets of Louisiana are all characters in this film. JH: I met Chris in New York in early 2000. And over the next couple months, I started writing this story about fixing fights. To subscribe to MovieMaker Magazine, click here. So I read it. JH: I was rewriting every day. I’ve never been the type that surrounds myself with a group and loudly entertains everyone. Disbelief. I owe Chris so much. Detective Bud Carter’s investigations lead to the arrest of Jesse Weiland, a … Courtesy of Louisiana.gov. It’s difficult to think about all the time we spent together to make this movie happen, and that he’s not around to see the end result. JH: The producers gave me a series of newspaper articles, a few photographs and about four hours of audiotape that allowed me to hear the real Bud Conner (the detective that Dafoe’s character is inspired by) tell his story. If a character is interesting enough, I’ll watch them do anything. JH: I’m writing the true story of Harry Greb, a prizefighter in the 1920’s, who fought for the middleweight crown when he was virtually blind. And they all have different voices. And all the good and bad that’s come with it, is just that. Those tapes were invaluable with the dialogue and getting an ear for the dialect, since I’d never been to Louisiana before making this film. When a sting goes bad, the syndicate boss, Lutin Adams uses crooked politicians and lawyers to identify Weiland as the ‘rat.’ His family is executed, setting Weiland on a path of revenge executing targets on a manhunt for Lutin. Why do you think we gravitate towards his character? Weiland, facing life in prison and losing his family, puts his trust in Carter and becomes an informant. (2014). Michael Moore Unnerved That Trump Will Still Have Nuclear Codes If He Loses, ‘Let’s Make Diamonds Out of Dad’: Amy Seimetz Mixes Light and Dark in She Dies Tomorrow, The Rundown: Amy Seimetz Answers to No One; the Old Muppets Club; Sean Connery Stories. He cuts people’s throats and gets paid for it. As far as the art of writing, there’s a tremendous history behind it…and it’s something I wanted to be a part of. JH: No, not always. The biggest and most intense hurdles pertaining to rewrites came in pre-production. Talk a little bit about how that changed the making of the film and how you were able to cope with such a tragedy. MM: What is the significance of the movie’s title? He went on these extensive location scouts and found several stunning locations. There’s no real significance except that it has a southern ring to it, and a boldness that the story portrays. He invited me to his set and we talked on this old rooftop, overlooking the city and asked me, “What do you want to do?” I told him, “I want to be a writer.” Then he said, “Move to Los Angeles, and I’ll teach you how to do it.” About a month later, I moved to LA. One actor was yelling in the backseat about how bad the script was to the movie he was in. Because I don’t know that I’ve broken in myself. And thought I could do it. And Chris didn’t either. Posted on Monday, February 17th, 2014 by Russ Fischer. MM: Were there any drastic changes in the script over the years? Your email address will not be published. I have a myriad of influences, in books and film that had that same effect on me. When the syndicate orders Carter's death and Weiland is identified as an informant, the two team up to fight the mob and catch the crime boss who ordered the hit. All names, trademarks and images are copyright their respective owners. When Baton Rouge police detective Bud Carter arrests contract killer Jesse Weiland, he convinces Jesse to help the police to destroy the South's most powerful crime ring. Also in the cast are Matt Dillon, Amy Smart, Tom Berenger, Bill Duke and Neal McDonough, not that any of it will probably matter. I write to grab the reader by the throat and arrest their attention completely. It didn’t have the same heat. Some people use writing to enhance their life; but I’d rather use life to enhance the writing. Decisions that made one of them a cop, and one of them a criminal. Not about being arrested; but about being killed. MM. FBI, blood and revenge follows. As an adult, he’s violent and he’s terrifying. He was making a film in Brooklyn at the time, and was also patient enough to read all the madness that I’d written. MM: Do you think the actors accurately depicted the characters you wrote? About ten days later, I got a call from Chris. ‘Bad Country’ Trailer: The Real Killer is Willem Dafoe’s Amazing Mustache, ‘No Sudden Move’, New Steven Soderbergh Heist Movie, Adds David Harbour, Noah Jupe, Brendan Fraser, Kieran Culkin, ‘Twelve Minutes’ Game Trailer: Daisy Ridley and James McAvoy Star in Interactive Time Loop Thriller, The Morning Watch: Musical Dialogue of ‘The Social Network’, Remembering Jerry Stiller and Anne Meara & More, Paul Schrader’s ‘The Card Counter’ Cast Adds Tiffany Haddish, Willem Dafoe, and Tye Sheridan Alongside Oscar Isaac. I don’t have any advice on how to “break in,” per se. I’m inspired by artists that don’t take the safe path. I go at it till my forehead starts to bleed. I’m avid fan of Lon Chaney Sr., who said once that he was only interested in playing characters that were either emotionally or physically deformed. Web design by Pro Blog Design. I got a few jobs as a driver for really low budget films — driving camera trucks and shuttling actors back and forth throughout the city. We shot in Baton Rouge, New Orleans and mostly Angola Louisiana State Penitentiary. Sound familiar? Tragically, Chris suffered an aneurism late into filming, and passed away with Jonathan and Chris’ family by his side on February 8, 2013. All I did know was how to write dialogue. And had either one of them made a different decision, they could have very easily become the other. JH: Stories against the grain. It must have affected you greatly. When the syndicate orders Carter's death and Weiland is identified as an informant, the two team up to fight the mob and catch the crime boss who ordered the hit. Matt Dillon plays Jesse Weiland, a convict turned snitch, willing to do anything to protect his family, and is a valuable player in putting a stop to an expanding ring of crime. But what they eventually discovered, is that it was just one guy. What were some of the hurdles you dealt with pertaining to rewrites? We had a true story as a leaping off point and as it evolved from there, I was pretty sure about the story that I wanted to tell. I did extensive research on prison gangs as well as hate groups throughout the South. MM: What’s your favorite part of the writing process? And we usually had minutes to do it. Both utilize violence as adults. And the films I gravitated towards, the main characters were never really heroes, but more of the grey-zone types: “Straight Time,” “The Conversation,” “Mikey and Nicky,” to name a few. He plays a crime boss whose legs were mistakenly amputated as a child. And when they arrested him and tore apart his house, they found cash and jewels and welding equipment. While losing Chris certainly changed the experience for Jonathan, the film remains as a fitting reflection of the time they spent together. living in hawaii, living off the land. I still don’t believe it. I respect that. And while his path of revenge is twisted, it makes sense. The film was in post-production when director Chris Brinker died suddenly on February 8, 2013. But honestly, I don’t see how that’s avoidable. Willem dove into scenes in ways that I never saw coming. When you’re writing a script, you become different characters. "Burn-jobs in a Bad Country: Interview with Writer Jonathan Hirschbein", "Matt Dillon, Willem Dafoe join cast of Baton Rouge-shot 'Whiskey Bay, https://en.wikipedia.org/w/index.php?title=Bad_Country&oldid=978192263, Creative Commons Attribution-ShareAlike License, This page was last edited on 13 September 2020, at 13:02. I couldn’t really call those people up with that, so I used a few aliases. MM: What else are you working on? And for anyone that loves or has been loved, they’ll understand that. MM: How is the location important to this film? JH: It is and will always be one of the great losses of my life. You won’t find me at a coffee shop on a laptop, sipping a latte. Inspired by real events, BAD COUNTRY is a gritty Louisiana set crime drama. He’s also a contract killer. Willem Dafoe stars as Bud Carter, the detective who is willing to learn from the criminal he helped put away. Authors like Ambrose Bierce, Guy de Maupassant, LeFanu, Poe and Emile Zola. And they were stashed throughout his house under pillows, in the couch, in the cupboards and behind the toilet.
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